Quality Shoe

e finally got Mark Knopfler’s “Ragpicker’s Dream” and started wearing it out. It’s not really a concept album, since the songs aren’t really interrelated, but Knopfler’s ties to movie soundtracks are evident in the overall feeling of depression-era America. Though it contains some sad (or angry) songs, it’s not a depressing collection. Most of it feels just plain fun (it’s hard not to smile during the last verse of “Devil Baby”, a paean to circus freaks; in fact, it’s hard not to smile just writing that ridiculous sentence.)Three tracks get played over and over, when I’m not playing the whole album: the single, “Why Aye Man”, a western swing thing called “Daddy’s Gone to Knoxville”, and a tribute to Roger Miller’s unique musical style, “Quality Shoe.”

We finally got Mark Knopfler’s “Ragpicker’s Dream” and started wearing it out. It’s not really a concept album, since the songs aren’t really interrelated, but Knopfler’s ties to movie soundtracks are evident in the overall feeling of depression-era America. Though it contains some sad (or angry) songs, it’s not a depressing collection. Most of it feels just plain fun (it’s hard not to smile during the last verse of “Devil Baby”, a paean to circus freaks; in fact, it’s hard not to smile just writing that ridiculous sentence.)

Three tracks get played over and over, when I’m not playing the whole album: the single, “Why Aye Man”, a western swing thing called “Daddy’s Gone to Knoxville”, and a tribute to Roger Miller’s unique musical style, “Quality Shoe.”

Seen as a modern rock song from the leader of Dire Straits, “Quality Shoe” makes no sense; it really is about a pair of shoes. Seen, however, from the perspective of the album’s 20s/30s feel, it’s a simple sales pitch, back when all you had to do to sell something was explain to someone who trusted you why it was a good purchase (a bizarre marketing technique which might actually work, even today.)

After my 936th listen, I realized a connection to my own music. Though I pitch myself as a swingabilly writer, half or more of my tunes are heavily influenced by a complete immersion in Roger Miller beginning some time before my memories do.

Thanks, Mark. And thanks, Roger.

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