Better a Kansas City Star Than an Omaha Nobody

I love singing along with Kansas City Star. It’s one of those silly songs Roger wrote that leaves out all the struggle and heartache, and puts in everything that’s right with our hearts and heads.

Besides, how often do you get a trombone solo and scat vocals in a country song? Yeah, Roger had a hard time coloring inside the lines. Continue reading Better a Kansas City Star Than an Omaha Nobody

Happy Heartbreak #2: It Takes All Kinds to Make a World

Pretty sure Roger never meant us to take this one seriously.

My friend and I went to the picture show in town
They called his name and said his house and just burned down
I took his hand and offered him my sympathy
When suddenly, I remembered that he lived with me
Continue reading Happy Heartbreak #2: It Takes All Kinds to Make a World

Happy Heartbreak #1: Engine, Engine #9

A hallmark of Roger Miller’s songwriting is what I call his happy heartbreaks: the saddest stories, told with wit to cheerful music.

Just as Hitchcock makes pokes us with the incongruity of life by making us laugh during a terrifying scene, Roger reminds you that life isn’t the events, but our reactions. Even the poor guy standing in a train station somewhere 110 miles from Baltimore sounds more resigned than heartbroken when he says “I don’t think she loves me any more.” Continue reading Happy Heartbreak #1: Engine, Engine #9

Doughnut Holes and Roger Miller

Jazz musicians occasionally highlight a melody by playing all the notes around it, leaving a hole where it should be. If you’re paying attention, you’ll “hear” it.

Some smart doughnut shop decided to stop rolling all the doughnut holes back together to make more doughnuts, and just started frying up doughnut holes to sell. Continue reading Doughnut Holes and Roger Miller