[l1]C[/l1]ongrats to Adele not only for all those Grammys, but for becoming the second artist ever to win all four general categories: Record, Album, and Song of the Year, and Best New Artist. (Remember who did it first, over 30 years ago?)
I was delighted to discover that the record for most Grammys overall goes, not to a rapper, rocker, or ranter, but a conductor. Continue reading “Catching Up with the Grammys”
[l1]R[/l1]adiolab is a science show which comes at some fundamental questions from an unusual perspective. From their website: Continue reading “Radiolab: Classical Music is a Riot”
[l1]G[/l1]uitarist Jim Earp sent a link to this video of Rachel Flowers performing Emerson, Lake, & Palmer’s Karn Evil 9: 1st Impression on a Hammond C3 organ.
Ten minutes in my head exploded. (It’s 14 minutes long.) Continue reading “Rachel Flowers: Emerson, No Lake, Little Palmer”
[l1]S[/l1]ome singers aren’t about the quality of their voice, as fans of Bob Dylan will tell you. Yes, we do realize his voice sounds like marbles in a blender, thank you very much. Where would we be if everyone sounded like Celine Dion and Bryan Ferry?
Where would we be if no one sounded like Jimmy Durante? Continue reading “Make Someone Happy”
[l1]T[/l1]his week I’m trying to write three new songs. This idea came to me a few weeks ago, and when the ending landed in my brain the day before yesterday it wrote itself.
Recorded in the basement using my iPhone and mandolin. Continue reading “The Politest Pirate”
[l1]I[/l1] love singing along with Kansas City Star. It’s one of those silly songs Roger wrote that leaves out all the struggle and heartache, and puts in everything that’s right with our hearts and heads.
Besides, how often do you get a trombone solo and scat vocals in a country song? Yeah, Roger had a hard time coloring inside the lines. Continue reading “Better a Kansas City Star Than an Omaha Nobody”
[l1]L[/l1]ove is, even in the best circumstances, a complex thing. Good songwriters find the words to sing about it.
Great songwriters know there are no words for it. Continue reading “Words by Roger Miller. Lyrics by Love.”
[l1]P[/l1]retty sure Roger never meant us to take this one seriously.
My friend and I went to the picture show in town
They called his name and said his house and just burned down
I took his hand and offered him my sympathy
When suddenly, I remembered that he lived with me Continue reading “Happy Heartbreak #2: It Takes All Kinds to Make a World”
[l1]I[/l1]f you ever want to get depressed just come to this town
Hard to top that as an opening line. Nice internal rhyme with the next line Continue reading “How Many Kids Love Their Hometown?”
[l1]S[/l1]ome songs are obviously made for headphones. Anything by Pink Floyd. Some classical and jazz.
Paul Simon’s Kodachrome isn’t so obvious, but I just heard a different song from the one I’ve been listening to for lo these many years. Continue reading “Mama Don’t Take My Kodachrome and Leave Your Boy So Far From Home”
[l1]O[/l1]ne of Disney’s greatest soundtrack triumphs was getting Roger Miller to write and record the soundtrack to their animated version of Robin Hood.
The film doesn’t hang entirely on a single star. I can’t imagine the list of movies these folks have made: Continue reading “Not in Nottingham”
[l1]A[/l1] hallmark of Roger Miller’s songwriting is what I call his happy heartbreaks: the saddest stories, told with wit to cheerful music.
Just as Hitchcock makes pokes us with the incongruity of life by making us laugh during a terrifying scene, Roger reminds you that life isn’t the events, but our reactions. Even the poor guy standing in a train station somewhere 110 miles from Baltimore sounds more resigned than heartbroken when he says “I don’t think she loves me any more.” Continue reading “Happy Heartbreak #1: Engine, Engine #9”